A black comedy about Chalo, a lone security guard who acquires his first gamecock and discovers the bittersweet taste of friendship.

A wonderfully informative 80-minute documentary combining current interviews with archival materials and scenes from the film. Hitchcock's daughter Pat, production designer Robert Boyle, screenwriter Evan Hunter, matte artist Albert Whitlock's colleagues Syd Dutton and Bill Taylor, storyboard artist Harold Michelson, Hitchcock collaborator Hilton Green, actors Tippi Hedren, Veronica Cartwright and Rod Taylor, filmmaker Peter Bogdanovich, author Robin Wood, makeup artist Howard Smit, and composer Bernard Herrmann biographer Steven Smith all contribute valuable input to Hitchcock's memorable classic.

Samuell McKenzie, 22, young father aspires to be a Hollywood superstar but is weighed down by his broken relationship, what doesn't help is his family who have their own little dramas, being the eldest son he must make an example. What's a young dad to do?

When two soon-to-be stepbrothers, road-trip up the California coast to attend their parents' wedding, they encounter a series of unexpected detours.

An Englishman (Richard Arlen) fights in the Sudan after receiving white feathers of cowardice from his fiancee (Fay Wray) and friends.

A `coward` resigns his commission and poses as an Arab to save his former comrades.

The film takes place in one house, at an unspecified place, at an unspecified time. In this house, twelve dialogue stories take place and all have one thing in common - oppressive hopelessness. We witness everyday problems that become absurd under a distorted lens and become all the more real. The film follows with almost morbid interest the fates of people who, based on their actions and incompetence, are doomed. The question remains how far the characters from this "house" are.

What was it really like behind the scenes of The Good Life? With contributions from Richard Briers, Penelope Keith, Monty Don, Brian Sewell and John O'Farrell.

Conflicts of interest arise when a country couple are visited by a couple from the city.

Elizier, an emotionally-dejected new enrollee at The Edward R. Mill School for Boys, must overcome memories of a tragic past and the present hazing by his peers in order to tackle larger issues dominating his young life.